Biography


My work is nourished by symbols, stories, traditions, rituals, experiences, and by permanently returning to admire the iconography of ancestral world cultures, especially Peruvian cultures. These experiences inspire me to discrover, explore and absorb contemporary visual arts, which exist lavishly, choosing the one that moves me and fits the direction of my visions of totem images, of symbolic characters and landscapes, and of my experieence; devolping ancestral patterns that aree esesentially Andean - Maximo Laura

Maximo Laura (Ayacucho, Peru), is an award winning tapestry weaver internationallly recognized as one of South America´s pre-eminent and most unique textile artists. He is a consultant, designer and lecturer on art integration and synthesis of ancestral weaving techniques, symbols, memories, myths and rituals with contemporary art.


Laura is the fifth generation of weavers that learneed his craft as a child at the side of his father while growing up in Ayacucho; he learned his art by never silencing the internal self exploration or the external exploration of the world, including a life long study of art history and literature beyond the borders of Peru.

While he now lives and works in Lima, his work is deeply imbued with the legends and storytelling of his Peruvian heritage and with his own very compelling life experiences. Laura draws from many sources of inspiration, such as Chavin culture which is expressive and totemic; Paracas which is colorful and strong; Nazca and Hauri for their geometric forms; and chancay for its sobriety and linear spirit.


Maximo Laura´s vision proposes the promotion of Peruvian contemporary textile art on international stage, which has been the underlying and fundamental purpose of his artistic mission for the last 30 years.

Owners of Laura´s work include the World Bank in Washington D.C., the UNESCO Headquaters in Paris, the Smithsonian´s National Museum of the American Indian, the Museum of Iberoamerican Craft in Spain, the Museum of the Americas, The Latvian National Museum of Art and the National Museum of Peruvian Culture.

Since his first exhibition at the Cultural Center of Buenos Aires, Argentina in 1985, work of Maximo Laura has been in over 140 exhibitions in more than 29 countries (China, USA, France, Italy, Poland, Belgium, Australia, Cuba, Argentina, among others) with solo exhibitions at the Musée de Bibracte (France), the Smithsonian´s National Museum of the American Indean (USA) the Textile Museum (USA), The Museum of the Americas (Costa rica), the Museum of Decorative Arts and Design (Latvia), the Craft Museum of Finland, among others.


Maximo Laura is co-founder of iberoamerican Textilee Network and the Peruvian Center of Textile Art. He is also a member of the American Tapeestry Alliance, the European Tapestry Network and the British Tapestry Group.

His work has earned many awards, including "National Living Human Treasure" of Peru, "Manos de Oro" (Golden Hands) of Peru, "National Amauta of Peruvian Craft", "Master of Iberoamerican Craft" and the UNESCO Prize for Latin America.

Selection of Awards


  • Award for Excellence, WTA – VI International Biennial of Contemporary Textile Art, MEXICO


  • Outstanding Award, “From Lausanne to Beijing” 6th International Fiber art Biennale, CHINA


  • Special Prize, 4th Riga International Textile and Fibre Art Triennial Tradition & Innovation, LATVIA


  • Honorary Mention Award, 13th International Triennial of Tapestry, POLAND


  • Mention Prize, 5th International Biennial of Textile Art, ARGENTINA


  • Bronze Prize, “From Lausanne to Beijing” 5th International Fiber art Biennale, CHINA


  • II Award – Silver Medal, Scythia 7th International Biennial Exhibition on Textile Art, UKRAINE


  • HGA Award in recognition of a outstanding work, Handweavers Guild of America, USA


  • People’s Choice Award, Land: the Tapestry Foundation of Victoria Award Exhibition, AUSTRALIA


  • “Best in Show” Contemporary Latin American Art 8 organized by Museum of The Americas, USA


  • 1st Place Award, Small Expressions 2009, USA


  • “Grand National Prize Amautas of Peruvian Handicraft”, Government of Peru, PERU


  • 1st National Craft Prize “Golden Hands”, PERU



Selection of Artworks in Collections


  • National Museum of Peruvian Culture, Lima, PERU


  • Smithsonian’s National Museum of the American Indian, Washington DC, USA


  • The World Bank, Washington DC, USA


  • Headquarters of United Nations Organization for Education, Science and Culture (UNESCO), Paris, FRANCE


  • Iberoamerican Museum of Craft, Puerto La Cruz, VENEZUELA


  • Museum of the Americas, Miami, USA


  • Museum of Craft, Jyvaskyla, FINLAND


  • Museum of Iberoamerican Crafts, La Orotava, Tenerife, SPAIN


  • The Latvian National Museum of Art, Riga, LATVIA


  • Torre Tagle Palace, Ministry of Foreign Affairs of Peru, Lima, PERU


  • Word Textile Art Organization, Miami, USA


  • Museum of Art and Popular Traditions of Riva Agüero Institute, Lima, PERU


  • Andean Institute of Folk Arts Andrés Bello, Quito, ECUADOR


  • Ministry of Industry, Tourism, Integration and International Trade Negotiations, Lima, PERU


  • Interamerican Center of Craft and Folk Arts, Cuenca, ECUADOR


  • Iberoamerican Association for the Development and Marketing Crafts, Lima, PERU


  • Ricardo Palma Private University, Lima, PERU


  • Embassy of Peru – Washington DC, USA


  • Embassy of Peru, Quito, ECUADOR


  • Embassy of Peru, Asunción, PARAGUAY


  • Embassy of Peru, Helsinki, FINLAND


  • Former President of Latvia Ms Vaira Vike-Freiberga, LATVIA

Learn More about Maximo Laura

BIO
TAPESTRY SHOP
WEAVING WORKSHOPS
BIO
TAPESTRY SHOP
TAPESTRY WORKSHOP

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