The Language Behind the Tapestries:

The Influence of Quechua in Máximo Laura’s Art

Quechua, the ancient language of the Andes, carries the echoes of a rich cultural heritage passed down through generations. For Máximo Laura, a fifth-generation master weaver from Ayacucho, Peru, Quechua is more than just a language—it is a thread that weaves together his family’s past and his artistic present.

His tapestries, often titled in Quechua, serve as visual poems, celebrating Andean cosmology, family values, and the deep spiritual connection between humanity and nature. Through them, Laura not only preserves his heritage but also invites the world to experience the wisdom of the Andes.

Maximo Laura and his mother, Josefa Taboada

A Family Legacy Woven in Quechua

Máximo Laura was raised in an environment where Quechua was more than just a means of communication; it was a language of storytelling, wisdom, and tradition.

His father, also a weaver, passed down ancestral teachings in Quechua, imparting to Laura the belief that weaving is a meaningful tradition—a continuation of history, memory, and cultural identity.

Today, Laura honors this lineage by naming many of his tapestries in Quechua, ensuring that the language remains a living bridge between past and present, woven into every fiber of his work.

The Symbolism of Quechua-Named Tapestries

Each of Laura’s tapestries is a reflection of Andean mythology, using colors, textures, and patterns to narrate the deeper meanings held within their Quechua names. Below, we explore some of these works and the cultural significance behind their titles.

Aylluchakuy – Marriage

 

The Quechua word Aylluchakuy refers to the act of forming an ayllu, or family unit. In Andean culture, marriage is more than just a union between two individuals—it is the merging of communities and ancestral lineages.

Laura’s tapestry captures this idea through warm tones and interwoven patterns, symbolizing harmony and balance in a partnership. The swirling lines represent the dynamism of change, while symmetrical elements reflect mutual support between partners, emphasizing the Andean values of unity and reciprocity.

Ccollcapata Tinkuy IV – Sacred Gathering

 

The word Collcapata refers to a high, sacred place, while Tinkuy means meeting or encounter. In Andean philosophy, tinkuy represents the meeting of complementary forces—masculine and feminine, sun and moon, sky and earth.

This tapestry reflects the sacredness of communal gatherings, where wisdom is shared, and harmony is cultivated. The bright tones and intricate textures symbolize the dynamic energy of these encounters, where balance is found through the fusion of opposites.

Ccollcapata Tinkuy IV – Sacred Gathering

 

The word Collcapata refers to a high, sacred place, while Tinkuy means meeting or encounter. In Andean philosophy, tinkuy represents the meeting of complementary forces—masculine and feminine, sun and moon, sky and earth.

This tapestry reflects the sacredness of communal gatherings, where wisdom is shared, and harmony is cultivated. The bright tones and intricate textures symbolize the dynamic energy of these encounters, where balance is found through the fusion of opposites.

The Language of the Andes in

Contemporary Art

For Laura, Quechua is more than a title—it is a gateway into the cultural and spiritual worlds that inspire his creations. Words like Aylluchakuy and Tinkuy are not just descriptions; they embody the Andean way of life, where community, reciprocity, and harmony are fundamental values.

By using these names into his works, Laura ensures that Andean wisdom is not lost but instead continues to resonate with new generations, both in Peru and beyond.

Preserving Heritage Through Art

Máximo Laura’s art is a testament to the enduring power of Quechua—a language of tradition and transformation. His tapestries are more than decorative pieces; they are visual narratives that invite us to reflect on our own connections with nature, our communities, and our ancestral roots.

By naming his works in Quechua, Laura ensures that the voices of the Andes continue to echo across time and space. His art becomes a living bridge between past and present, reminding us that both language and weaving are expressions of human resilience and creativity.

Quechua Catalog

  • Sale!

    Ccollcapata Tinkuy IV
    Size: 47 x 39″

    Original price was: $ 1,500.Current price is: $ 1,350.
  • Sale!

    Aylluchakuy – Marriage
    Size: 47 x 35″

    Original price was: $ 1,790.Current price is: $ 1,611.
  • Sale! Winay Taky IIISize: 47 x 47"

    Winay Taky III
    Size: 47 x 47″

    Original price was: $ 3,000.Current price is: $ 2,700.
  • Sale!

    Choqueruna
    Size: 39 x 47″

    Original price was: $ 1,500.Current price is: $ 1,350.
  • Sale! Fish Dance to Yacumama IISize: 47 x 66"

    Fish Dance to Yacumama II
    Size: 47 x 66″

    Original price was: $ 3,190.Current price is: $ 2,871.
  • Sale! Intihuatana IISize: 47 x 78"

    Intihuatana II
    Size: 47 x 78″

    Original price was: $ 2,700.Current price is: $ 2,430.
  • Sale!

    Ccollcapata Tinkuy IV
    Size: 47 x 39″

    Original price was: $ 1,500.Current price is: $ 1,350.
  • Sale!

    Choqueruna
    Size: 39 x 47″

    Original price was: $ 1,500.Current price is: $ 1,350.
  • Sale!

    Aylluchakuy – Marriage
    Size: 47 x 35″

    Original price was: $ 1,790.Current price is: $ 1,611.
  • Sale! Winay Taky IIISize: 47 x 47"

    Winay Taky III
    Size: 47 x 47″

    Original price was: $ 3,000.Current price is: $ 2,700.
  • Sale! Fish Dance to Yacumama IISize: 47 x 66"

    Fish Dance to Yacumama II
    Size: 47 x 66″

    Original price was: $ 3,190.Current price is: $ 2,871.
  • Sale! Intihuatana IISize: 47 x 78"

    Intihuatana II
    Size: 47 x 78″

    Original price was: $ 2,700.Current price is: $ 2,430.
Popular Searches Hide Searches